Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art (1903)
Poore, Henry Rankin, 1859-1940 · New York, The Baker & Taylor co · leaf 84
de, thewhite cow touching its line, one or two of thoselying on the ground working toward the fore-ground in a zigzag, little or no diversion fromthe distance on the left of tree. The swingof the picture would then have been from theforeground to the focus, the white cow and tree,thence to the… … [731 CHAPTER Y ENTRANCE AND EXIT Getting Into the Picture. In coining at a picture, the first question is,\iO%o to get into it. One reason why so many pictures are passedby in exhibitions is that the public lacks an invi-tation to enter, while others, by contrast, greetyou a long way off. One feels…
Composition (Art) · Art criticism
Internet Archive · California Digital Library · Public Domain Mark 1.0. Free to use for anything.
