Prints; a brief review of their technique and history (1914)
Richter, Emil Heinrich, 1869- · Boston, New York : Houghton Mifflin Company · leaf 70
o their lives. In many caseswe have not even a date, a sign, or an initialplaced somewhere on the print, as a meansof identification. We are conscious, in theseearly examples, of the artistic spirit in whichthe engraver treats the saints picture andthe playing-card, extensive fields,… … MADONNA OF EINSIEDELNMaster K. S. THE EARLY DAYS OF ENGRAVING ter E. S. An illustration of the excellenceachieved by the last named artist will be foundin his presentation of the Madonna of Einsie-deln. Notice the development of the pic-ture element, the sureness with which thegraver is used, long…
Engraving -- History · Engravers
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