Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 125
rto its lower border. Thescarf, again, divides intotwo equal parts, one ex.tending from its ex-treme outer edge on theright shoulder to its outer edge on the left shoulder, andthe other from the latter point to its extreme border on theleft. Once more, the measurement from the left side ofthe scarf… … FIQ. 44.—THE APOLLO BELVEDERE.See pages 83, 84,98,99, 102,131,132,141. CHAPTER VII. PROPORTIONS OF THE HUMAN FIGURE THEORETICALLYCONSIDERED. Proportion as Suggested by Imaginary as well as Real Lines Drawn throughthe Form—Illustrated in the Case of the Face—Of other Parts of theBody—The Fact that…
Aesthetics
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