Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics
George Lansing Raymond's 1909 essay in comparative aesthetics, issued by G. P. Putnam's Sons in New York and London for students of art theory and design. Line engravings and halftones of classical and Renaissance buildings, column orders, facade elevations, and sculpture supply measured architectural details, repeating arcades, and Ionic capitals drawn in clean hatched line.
