Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 127
chin, as in Fig. 45, below, and if we find this linepassing through the middle of his nose, we obtain an im-pression of regularity which, so far as concerns it alone, isan aid to the agreeableness and consequent beauty ofthe effect ; but in the degree in which the middle of thenose is out of this… … FIG. 45.—FRONT FACEDIVIDED BY LINES.
Aesthetics
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![An illustration from Champ fleury : au quel est contenu lart & science de la deue & vraye proportio[n] des lettres attiques, quo[n] dit autreme[n]t lettres antiques, & vulgairement lettres romaines proportionnes selon le corps & visage humain ... (1529)](https://img.insideoutlibrary.com/img/200/ia-champfleuryauque00tory-66-44.webp)
