Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 146
ye-brows, eyes, nostrils, on the op-posite sides of the face, appearto be in exact balance, inas-much as the whole is outlinedby a framework that is exact-ly square or rectangular, theexternal arrangement is satis-factory because it seems repre-sentative of something; internal^iPwrrr- . that is… … io6 PROPORTION AND HARMONY.
Aesthetics
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