Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 188
ines them inaccordance with such methods as those termed in thechart on page 3, unity, variety, complexity, order, con-fusion, counteraction, comparison, contrast, complement,principality, subordination, and balance. As influenced by the particular requirements of eachproduct, the artistic tendency… … 148 PROPORTION AND HARMONY. in which they are to represent that which is heavy, strong,immovable, substantial, dignified, or near, congruity givesthem all a tendency to be more or less large and bulky;in the degree in which they are to represent the opposite,it gives them an opposite tendency. In…
Aesthetics
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