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Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 193

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 193
hey point or incline. Anyother spaces containing no such lines, yet intended to ap-pear of equal length with it, ought really, therefore, to bea little longer. Again, if when we are looking at a build-ing a projecting cornice hide part of a wall, window,pediment, or roof that is above the cornice,… … FIQ. 78—ARCH OF SEPTIMIUS SEVERUS.See pages 152, 163, 175. what its real measurement may be. The end to be at-tained is not factors with hke or related measurements,but factors that appear to have these. To illustrate this statement, by referring again to Fig.77■> psg^ I50> ^s we look at this…

Aesthetics

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