Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 197
FIQ. 81.—COLOGNE CATHEDRAL—FACADE. 155 See pages 42, 44, 153, 154, 156, 157, 160, 163, 165, 175, 180, 207,226, 236, 237. 156 PROPORTION AND HARMONY. cerning which, however, something more will be saidpresently, each tower is exactly half as wide as the spacebetween the towers, giving four equal… … FIQ. 82.—ST. SULPICE, PARIS.See pages 42, 43, 44, 154, 158, 160, 161, 166, 175. dral at Cologne, Fig. 81, page 155, we can see five equaldivisions. Notice, in the latter building, how artisticallyeffects of variety and balance are introduced without in-terfering at all with this appearance of exact…
Aesthetics
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