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Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 204

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 204
oundedby pillars or mouldings. Now observe the same fact as exemplified in the primitivemanifestations of proportion illustrated in Figs. 6, page 33 ;7, page 34; 8, page 35 ; and 9, page 36. Observe the fact 162 REPETITION IN ARCHITECTURAL PROPORTION. 163 as exemplified also in the artistic… … FIQ. 85.—AN AMERICAN CHURCH.See pages 164, 166. nection with just enough of that variety which the Greekknew so well how to introduce, in Fig. 80, page 153, aswell as in the Roman arches in Figs. 78, page 152, and79, page 153. Most of these figures will recall and exemplify whatwas said on page…

Aesthetics

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