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Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 212

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 212
n thesecond floor had sug-gested a correspondencein shape to the arrange-ments over the four pil-lars at either side of theFiQ. 88. colonnade. Nevertheless, GERMAN SPIRE AT ,1 1 -i j- 4. j -i. KUTTENBERQ. ^^ ^^ buildmg stands, it See page 172. is an admirable exampleof successful… … x3- 172 PROPORTION AiVD HARMONY. grees of difference. As applied to measurements, ofcourse, it would give likeness in degrees of these. Figs.

Aesthetics

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