Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 214
por-tions will be at onceapparent. In the chart on page3 of this volume, com-plement and balanceare represented as art- ^methods of earlier de- velopment than the .:others that we havehere considered. Butthis is true only asrelated to theoreticalrequirements. Prac-tically, as used in art,these… … 174 PROPORTION AND HARMONY. will be noticed that, in a sense, balance \?, merely alterna-tion containing three factors, the first and third of whichare alike, and the second, or middle one, different. In
Aesthetics
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