Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 292
s drawing, and, as a result of repeated examina-tions and experiments, to use his own ingenuity. Indeed,even iftheselawswereapplied with mathematical exactness,the required measurements would differ with every foot bywhich a man stood nearer to his product, or farther fromit. Precisely so in… … FIQ. 109.—PHOTOGRAPHIC EFFECT OF CURVED STYLO-BATE AND COLUMN OF THE PARTHENON. See pages 250, 255, 258, 260. 252 PROPORTION AND HARMONY. every change in the point of view. Let the man in Fig.107, page 245, step a few feet farther away from the build-ing, and in order to preserve the same effect,…
Aesthetics
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