Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 313
FIG. 112.—SAME OBJECT SEEN DIFFERENTLY BYEACH EYE. NEAR AND DISTANT BACKGROUND. See pages 271, 272, 274, 280. FIG. 113. —PARTS OF OB-JECT, AS SEEN WITHNEAR AND DISTANTBACKGROUND. /, /, object; A, B, back-grounds: L and R^ eyes;«, nose. See pages 234, 268,273, 280. The explanation of this effect is,…
Aesthetics
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