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Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 314

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 314
t is illustrated in a differ-ent way in Fig. 113, page 272. In this, a and a repre-sent the two side contours of the object seen with theeyes when adjusted to a background at A; and b andb represent the two side contours of the object seenwith the eyes when adjusted to a background at B. Land R… … FIQ. 114.—LENS OF EYE ADJUSTED TO NEAR (N) AND DIS-TANT (F) OBJECTS,a, aqueous humor ; </, ciliary muscle. See pages 231, 273, 323. figure representing the aqueous humor, F the crystaUinelens made flatter, and thus adjusted to take in a more dis-tant background ; N the same made more rounded in…

Aesthetics

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