Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 330
h forms closely, men instinctively turntheir heads first to one side and then to the other, where,whatever may be their real, not to say conscious reasonfor the movement, it is a fact that the elliptical spacewill appear to be in the same upright position as it is whenbetween the overlapping… … 122.—BEASTS, FISHES, AND BIRDS AS OUTLINED BY ELLIPSES.See pages 78, 288, 295. 289 290 PROPORTION AND HARMONY. to the laws of association, for him to recognize the sameeffect, even when suggested by an ellipse prolonged hori-zontally ? Take, for instance, the form of a mans limb—not when standing…
Aesthetics
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