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Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 371

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 371
ectrum. On page 310, it wasshown that white light, i. e., ordinary sunlight, produces.when analyzed, all the different colors; from which fact itwas said that the conclusion is drawn that the different 330 PROPORTION AXD HARMONY. colors combined produce white light. Many experimentshave served to… … FIG. 125.—FORMATION OF COMPLEMENTARY wwuv^no.See page 331. the wall. If a color top, on a disk of which all the colorsare represented, be spun rapidly, a grayish-white appearswhere the colors are. But if all the colors together makewhite, it follows that the absence from white light of any ofits…

Aesthetics

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