Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 422
ording towhat was said on page 379, by lightin general, and the cones by localcolor? Again, each rod and conepossesses two entirely separatedlimbs, the larger of which is nearerthe main body of the nerves thanthe smaller. If a wave of whitelight affect each limb similarly,this wave divided and… … FIG. 131.—STRUCTURE OFRETINA. I cone ; r, rod ; /, inside ; o, out-side. I, II, etc., different layersas arranged from the front wherelight enters to the back. See pages 349, 381, 383. 382 PROPORTION AND HARMONY. plementary color-wave? All around the rods and cones,and inside the former, a…
Aesthetics
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