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Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 82

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 82
FIG. 14.—WILLESDEN CHURCH, NEAR LONDON, ENGLAND.See pages 42, 154. the equal width of each panel. In Fig. 9, page 36,observe the equal divisions in the tower considered per-pendicularly. In Fig. 10, page 36, observe that thecolumns divide the sides considered horizontally intoapproximately equal… … 42 PROPORTION AND HARMONY. page 183) considered perpendicularly. Observe, too, theperpendicular divisions of the towers in Fig. 11, page 37,and the horizontal divisions caused by the buttresses inFig. 12, page 38. Fig. 13, page 39, shows an imitation ofthis last method, but with the number of…

Aesthetics

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