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Proportion and harmony of line and color in painting, sculpture, and architecture: an essay in comparative sthetics (1899)

Raymond, George Lansing, 1839-1929 · New York [etc.] : G. P. Putnam's sons · leaf 79

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture: an essay in comparative sthetics, 1899, leaf 79
4O PROPORTION AND HARMONY. in our own day, the most universal in which the tendency to proportion manifests itself. Notice, as already indi- cated in Chapter II., the equal spaces in Figs, i, page 12, 2, page 12, and 3, page 12. In Fig. 6, page 33, notice the equal spaces between the platforms. In… … FIG. 14.— WILLESDEN CHURCH, NEAR LONDON, ENGLAND. See pages 42, 154. the equal width of each panel. In Fig. 9, page 36, observe the equal divisions in the tower considered per- pendicularly. In Fig. 10, page 36, observe that the columns divide the sides considered horizontally into approximately…

Aesthetics · Proportion (Art) · Color

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