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Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics (1909)

Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 80

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture; an essay in comparative aesthetics, 1909, leaf 80
formersubject. In proportion, it is the apparent measurementsof certain divisions and subdivisions of objects that arecompared. As was said in the last chapter, these measure- PROPORTION MARKED BY LIKE SUBDIVISIONS. 39 ments could not be compared unless they were related toone another according to… … FIQ. 13.—CENTRAL CONGREGATIONAL CHURCH, BOSTON.See page 42. faces, or of different divisions of the same line or surface.Our task will evidently be easiest when the numbers aresmallest ; i. e., when the two lengths compared are as i:i,or are exactly alike. We see, therefore, why this rela-tionship…

Aesthetics

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