Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 368
310,a lens bounded by cylindrical surfaces is introduced. SeeFig. 125, page 530, and C in Fig. 126. This lens is soconstructed that it reunites the prismatic bundle of raysinto a single band, i. e., it restores these rays to thesame condition in which they were before they reachedthe prism from the… … FIG. 126.—FORMATION OF COMPLEMENTARY COLORS. See page 331. in addition to the others just noticed, that all the colorstogether make white. If now between the cylindrical lensand the wall a part of the light be shut off by means of ascreen, a colored image instantly appears upon the wall.If, for…
Aesthetics · Proportion (Art) · Color
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