Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 92
height as the rest. With reference to this itmay be suggested, first, that to one looking upward frombelow, as alone these divisions can be seen, the differenceindicated would not be distinguishable, and, second, thatprobably few looking at the plan, as it lies before one inthe figure, will not… … FIQ. 30.—CHOIR OF ELY CATHEDRAL, ENGLAND.55 See pages 52, 56, 57, 163, 166. 56 PROPORTION AND HARMONY. more satisfactory, were the space between the lowerstring-course and the middle arch slightly higher, and theceiling higher above the upper window, and rounder Inaddition to what has been said, it…
Aesthetics · Proportion (Art) · Color
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