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The renaissance: its art and life; Florence (1450-1550) (1908)

Brinton, Selwyn, 1859-1940 · Paris, New York [etc.] Goupil & Co. · leaf 114

An illustration from The renaissance: its art and life; Florence (1450-1550), 1908, leaf 114
unel-leschi, his nature as an artist was on a higher level than that of Dona-tello, and free from the naturalism which in the succeeding century didsuch harm to the religious spirit. But this impulse towards realism, which was in the spirit of the time,has its own merits, and imparts an element of… … FLORENTINE ART UNDER GOSIMO DE MEDICI. 45 a Venus, and then place a book and skull upon a rock beside her, nordid he imagine that the bloom and beauty of a laughing Faun werefitting attributes for the preacher of repentance.... The motive of his artwas clearly apprehended, his method was sincere,…

Art · Art, Renaissance

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