Goodyear, W. H. (William Henry), 1846-1923 · Detroit, Mich., Published for the Bay View Reading Club by the Macmillan Company, New York · leaf 186
thecontrary is the case.In the early sixteenthcentury the actualcrucifixion was rarelyrendered. The Dep-osition from the Crossreplaced it. At thattime the Head ofChrist is unknown,likewise the Head ofthe Madonna. TheImmaculate Concep-tion type is also un-known to the greatperiod of Italian art,… … FiG. 106.—Madonna, by Guido Reni.Uffizi Gallery, Florence. 178 Renaissance and Modern Art. pression is attempted, as in Raphaels Transfiguration(Fig. 84), and Titians Assumption (Fig. 95), thegreat dignity and reserve are to be noted and compared with seventeenth cen-tury types. In thesame sense…
Art -- History · Art, Renaissance
Internet Archive · New York Public Library · Public Domain Mark 1.0. Free to use for anything.
![An illustration from [Catalog] (1902)](https://img.insideoutlibrary.com/img/200/ia-catalog00geob-65-223@270.webp)
