Goodyear, W. H. (William Henry), 1846-1923 · Detroit, Mich., Published for the Bay View Reading Club by the Macmillan Company, New York · leaf 87
red as theoriginal suggestion.At all events, wehave in these twopediment forms(curvilinear and tri-angle) the motives which ultimately became a mania in thelater Renaissance, and whose endless repetitions and vari-ations ultimately became so tedious (Figs. 45-53, inclusive).What I wish to point out… … Fig. 31.—Window Pediment of the Doges Palace.Venice. By Pietro Lombardo. Historic Sketch of Fifteenth Ceiitiiry Architecture. 79 of buildings they are unknown at this time. Their firstappearance and widest use at this time are for the frame-work of decorative tablets, tomb-reliefs, shrines, and…
Art -- History · Art, Renaissance
Internet Archive · New York Public Library · Public Domain Mark 1.0. Free to use for anything.
