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The Scottish school of painting (1906)

McKay, William Darling, 1844-1924 · London : Duckworth and Co.; New York, C. Scribner's Sons · leaf 402

An illustration from The Scottish school of painting, 1906, leaf 402
the partly veiled ridges of the distance, make adelicious harmony, whilst the nearer landscape, in spite ofthe somewhat forced shadow of the middle distance, ishandled with more virility than usual, the colour beingeverywhere full and luscious and the touch free. A hint ofhumanity is given in the… … LATER LANDSCAPE 313 the grounds of Dalmeny or Hopetoun, or a work of pureimagination, matters little. Through that woodlandglade, the painter has opened a vista into the realms offancy and romance. These finer qualities of the artist arealso seen in two small moonlights, On the Garry*…

Painting -- Scotland History · Painting, Scottish

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