Painters and sculptors; a second series of Old masters and new, (1907)
Cox, Kenyon · Duffield and Co · leaf 38
the manipulation of paint. Modellingis a matter of knowledge of form and facility ofhand, and both the knowledge and the facility mightbe attained as readily in the school as in the studio,for there is so much rough manual labour to be donein a sculptors studio that a helper might work therefor… … TOMB OF ANTONIO AND PIERO POLLAIUOLO THE EDUCATION OF AN ARTIST 13 to be dost roved and never to he seen by the public.He workfl in clay or irax, while it is the interpreta-tion of his work in marble or bronze that is set be-fore the world, so that he is almost in the positionof the draughtsman…
Art
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