ring th^ progressof preparation, and I remember his almost childlike 84 REMINISCENCES delight when we mounted to the painting-room atthe Lyceum—where Hawes Craven was transferringto a wider canvas his beautiful design for the sceneof the Queens Maying—as he insisted in takingfrom the scenic artist… … CHAPTER VII MILLAIS AND LEIGHTON MILLAIS was not one of those to whom I hadwritten after the publication of my article upon hiswork, and it was not till later at the Arts Club thatI learned to know him personally. Perhaps I refrained from addressing him at thetime because I was conscious that my…
Art -- Great Britain · English literature -- 19th century History and criticism · Great Britain -- Intellectual life
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