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Stained glass; a handbook on the art of stained and painted glass, its origin and development from the time of Charlemagne to its decadence (850-1650 A. D.) (1922)

Werck, Alfred · New York : N. L. Brown · leaf 166

An illustration from Stained glass; a handbook on the art of stained and painted glass, its origin and development from the time of Charlemagne to its decadence (850-1650 A. D.), 1922, leaf 166
The problems of perspective arestudied with great care and althougherrors of seeing and drawing may oftenbe detected, our interest is attracted bythe natural realism and faithful cor-rectness of every detail. Landscape The landscape also appears in thewindows of the later Gothic. A bluepane of… … Saint George. Early Sixteenth Centuryglass (French-Alsatian School). i <;io. Ornamentation in this Middle period, is rather high upin the picture, so that the landscapegives one the impression of an ascend-ing hill on the top of which the walls ofa city with towers and roofs are dis-closed.…

Glass painting and staining

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