Stained glass of the middle ages in England & France (1913)
Arnold, Hugh, Saint, Lawrence Bradford, 1885- · London, A. & C. Black · leaf 260
or at most are mildly argumentative, and yetthere is a certain sense in which he, and stillmore his drapery, is better drawn, or if not better,at all events in a more advanced manner. Thisis more noticeable if you compare St. Luke orthe little figures in Plate XXX. with the bigangel from Chartres… … THE STYLE OF THE SECOND PERIOD 143 century convention in figure drawing had served The effortits turn well, but was now worn out. Deriving, ^^^^^^^ o grace of originally, as we have seen, out of Greek art form.in its Byzantine form, it had formed a stock onwhich the artist of the Early Period had…
Glass painting and staining -- England · Glass painting and staining -- France · Art, Medieval
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