Langfeld, Herbert Sidney, b. 1879 · New York : Harcourt, Brace and Howe · leaf 236
er pictures. The stronger the empathic movement that thelines arouse in the observer, the closer will be theunity. The artist who is able to arouse strong em-pathic movements from one part of the picture tothe other, does not need to resort to other methodsof unification. For instance, in Michael… … Fig. 52.—Last Judgment, by Fra Angelico,Academy, Florence.
Aesthetics · Art
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