Studies in pictures; an introduction to the famous galleries (1907)
Van Dyke, John Charles, 1856-1932 · New York : C. Scribner's sons · leaf 220
ough and tospare in every French museum, did not satisfy. Itwas palpably artificial, bloodless, colorless. The.sentiment as well as the form of it was a distor-L,^ tion. The whole conception needed reformation.Those who advocated a revolt—Gericault, Delacroix,and others—were called romanticists,… … LANDSCAPE AND MARINE PAINTING 129 limb, and branch; the romanticists produced atwisted^iorn, and ragged tree. Classic skies wereserene, streams and lakes were placid, groves werepeaceful, temples were majestic; romantic skies wereovercg,st and dismal, waters were dark and myste-rious, groves were…
Painting -- Study and teaching · Painting
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![An illustration from XVIIme [i.e. dix-septième] siècle : lettres, sciences et arts, France, 1590-1700 (1882)](https://img.insideoutlibrary.com/img/200/ia-xviimeiedixsepti00jaco-396-167.webp)
