FIG. 9—THE FINDINC STENCIL IN TRANSPARENT COLOUR, THE LIGHTS SCREENED WITH PASTE Pictorial Stejicilling … FIG. 10—LIC UTS WASHED OUT AFTER TINTIN All that remains is to oil and varnish the stencils,like the silhouettes. Thin paper is strengthenedby painting, which also serves to define the colourscheme. To counteract the hard precision of stencil. Irely partly on handling, partly on material.Shadows…
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
