of the Glasgow Schoolhave, in their later expression, been assisted by amore definite presentation of form. This is par-ticularly evident in their portraiture. The earlyportraits seem to have been painted more for thedelight in the beauty of purely decorative schemesthan as attempts to realise form… … the gate of the fens (water-colour) (In the possession 0/ John Tattersall, Esq.)LVIII. No. 242.—May 1913 Al.luN, R.S.A.261 E. A. Walton, R.S.A. without being forced or crude. The Whistlerinfluence was marked. With the passage of years has come a greateremphasis in the matter of character. Whether,…
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
