m, he tells us. He finds inthem the essence of a certain English outlookon nature, at once imaginative, reverent, and in-timate, an outlook w-hich he confesses he has neverbeen able to discover in the work of Continentallandscape painters. There is no reason, however,he thinks, why this outlook… … THE rainbow (oil PAINTING) (III the possession 0/ Morris Hudson, t; BY CHARLES M. GERE
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
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