sented at Mel-bourne—is that it is hardlypossible to separate hislandscapes, as a class, fromhis figure subjects, so sus-tained is the feeling in allhis art of the intimate relationship of man andnature. But with Morland we find ourselves in theeighteenth century, and it will be interesting toturn… … I A SOURCE HENRI FA.NTIN-I.ATODR
Art · Decoration and ornament
Internet Archive · University of Toronto, Robarts Library · Public Domain Mark 1.0. Free to use for anything.
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