The study and criticism of Italian art. Second series (1920)
Berenson, Bernard, 1865-1959 · London, Bell · leaf 166
n the Raisinor of Tabitha alone. He resemblesthe Eternal in the Munich panel. Slightly different,you find him again and again at Castiglione, now asHerod, then as an Evangelist, and again as theBaptist. Thus Empoli can rejoice in two works by Maso-lino, not the most considerable, but one the… … L^ .K.- ,i5^.
Art, Italian · Painting, Italian
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