The study and criticism of Italian art. Second series
A second collection of Bernard Berenson's connoisseurship essays on Italian painting, published by Bell in London in 1920 for art historians, collectors and students of attribution. Halftone plates reproduce Renaissance panel paintings, drawings and illuminated initials: haloed Madonnas against damask grounds, groups of standing saints under arches, a silverpoint figure study, and a foliate initial O enclosing three figures.
