The study and criticism of Italian art. Second series (1920)
Berenson, Bernard, 1865-1959 · London, Bell · leaf 174
s in the tondi of Signorelli, or the Madonna della Seggiola of Raphael. TheMadonna dominates the whole. The other figuresonly serve to complete the harmonious rhythm oflines and contours, which give to the composition thesuggestion of a pyramidal silhouette that, inclosed ina circle, never fails to… … [ilarren Collection^ Boston, U.S.A. THE HOLY FAMILY BY FILIPPINO LIPPI 93 of his career, as far from the almost rigid im-movability of his Virgin in the Uffizi altar-piece orof the Madonna in the * Vision of the Badia, oreven of the one in the Corsini tondo, as from theaimless and nervous agitation…
Art, Italian · Painting, Italian
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