The study and criticism of Italian art. Second series (1920)
Berenson, Bernard, 1865-1959 · London, Bell · leaf 34
the thumb that we can parallel not only inthe Madonna of the Louvre, but everywhere inLo Spagna. Peruginos hands are much finer andmore delicate. A detail even more typical is to be found in theway the draperies are disposed. It is instructive tocompare, in this respect, the Caen Sposalizio withLo… … \_LoHvre, Paris. MADONNA AND CHILD THE CAEN SPOSALIZIO ii Cavalcaselles expression, arranged by hand as on lay-figures. The Virgins torso is clothed in a sort ofshapeless sack, under which one can scarcely makeout her form. St. Joseph also wears a garment thatlooks like a sack, and the same might…
Art, Italian · Painting, Italian
Internet Archive · Public Domain Mark 1.0. Free to use for anything.
![An illustration from Illustrated catalogue of a highly important collection of ancient paintings of the Italian, Dutch, Spanish, Flemish and French schools, including an imposing gathering of Italian and Flemish primitives [electronic resource] : to be sold at unrestricted public sale by direction of the F. Kleinberger Galleries, for the purpose of adjusting the business interests of their former partnership and the present incorporation, in the grand ballroom of the Plaza Hotel, Fifth Avenue, 58th to 59th Street, on the evening herein stated (1918)](https://img.insideoutlibrary.com/img/200/ia-liu-31289009872740-32-7.webp)
