The table book of art; a history of art in all countries and ages (1880)
Sandhurst, Phillip T · N.Y., Worthington · leaf 200
thelimits of pleasurable sensation. But the scenes of their own St. Giles, delineatedby their own countryman, are too shocking to think of. Yet if we could abstractour minds from the fascinating colours of the picture, and forget the coarse execu-tion (in some respects) of the print, intended as it… … REYNOLDS. I2- this work of his with Poussins picture. There is more of imagination in it that power which draws all things to one, which makes things, animate and inanimate beingsattributes and their subjects, with their accessories, take one colour, and serve one effect.Everything in the print, to…
Painting -- History
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