Tapestries, their origin, history and renaissance (1912)
Hunter, George Leland, 1867-1927 · New York, John Lane company; [etc., etc.] · leaf 416
five Late Gothic tapestries, lent to theMetropolitan Museum by the late Alfred W. Hoyt,are also of unusual merit from the weave point ofview. They represent the antithesis of paint tex-ture. The hatchings are long and strong and numer-ous. The ribs are coarse and obvious, but flat anddelightfully… … —.-■-- :- *•>-:■-= -— mm—wm.—■»■■ -»^>^sv.- <--*■*■ -;^iis %-C:; *flP iKr r rv^. H ^ -^--. KfST m ; ■.■■•,■* 2 X 396 TAPESTRIES—THEIR ORIGIN No. 3. The Triumph of Time, 13 feet 3 3/4 x 9 feet 11 1/8.No. 4. The Triumph of Cupid, 12 feet 9 3/4x9 feet 5.No. 5. An Unidentified Story, 12 feet…
Tapestry
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![An illustration from Illustrated catalogue of the valuable collection of rare Gothic art and other artistic antique property belonging to the continental connoisseur and expert Henri S. de Souhami of Paris, acquired by him from Prince Henri de Faucigny Lucinge, Madame Lelong and other sources [electronic resource] : to be sold at unrestricted publi sale at the new American Art Galleries ... on the afternoons herein stated (1922)](https://img.insideoutlibrary.com/img/200/ia-liu-31289009873110-102-48.webp)
