Kelley, Charles Fabens, 1885-, Riverside Press (Cambridge, Mass.), Mowll, William Luther, joint author · Boston, Houghton Mifflin Company · leaf 100
Fig. 92. INTERLACING LINE MOTIVES The use of color is just as important here as in the otherand simpler cases (Fig. 90). The examples in the follow-ing diagrams will show a few of the possibilities (Fig. 91, 92). CHAPTER VII w … Fig. 93. JAPANESE BROCADE MOTIVE (DOUBLEIMVERSION) AREA COMPOSITION HILEarea balance isknown broadlyas composi-tion in picto-rial art, the areaswith which thedesigner dealsmust assumemore definiteshapes than withthe painter (Figs.93,94). Spots have been considered as small areas; lines have been…
Decoration and ornament
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