The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 102
ion, it must be remarked that the least difference ofposition causes a change of form in the nearest parts or foreground; but toproduce any alteration in the shapes of the distant mountains, it will benecessary to remove to a considerable distance from the position previouslyselected. An instance… … Fig. 2. the ceiling, the boards of the floor, and even the folds of the table-cloth, alllead, the eye towards the head of the Saviour. 80 LANDSCAPE-PAINTING. A balance of the interest does not necessarily mean that equal quantitiesof the subject should be placed on each side of the picture. A great…
Landscape painting · Watercolor painting
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