The theory and practice of landscape painting in water-colours illustrated by a series of twenty-six drawings and diagrams in colours and numerous woodcuts (1885)
Barnard, George, 1807-1890 · London, New York, George Routledge and Sons · leaf 110
t to produce any alteration in the shapes of the distant mountains, it will be necessary to remove to a considerable distance from the position previously selected. An instance of the use made of lines, in directing the attention to the chief point of interest, may be deduced from the celebrated…
Landscape painting · Watercolor painting
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