The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 103
thinking, however, thatform only can balance form, or colour balance colour. Neither is it essen-tial that the principal points of interest should be in the centre of the wholepicture; for instance, should a group of figures divide the interest with therest of the subject, it may be placed at the… … A PAETY 01 PLEASURE : ARRAN. disappointment of the party; while the idea is further assisted by theintroduction of the dog, evidently dragged unwillingly along, and lookingback with regret towards the warm chimney-nook he has left behind. In all these cases the student must recollect that one…
Landscape painting · Watercolor painting
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