The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 134
LIGHT AND SHADE, OR CHIAROSCURO. Ill … the name by which the artist intends his picture to be known often gives a clue to the treat- ment, not only of thelight and shade, butof the whole compo-sition. When shadow isthrown all over anypart or object in acomposition, it ishighly important thatthe shape should beagreeable without be-ing…
Landscape painting · Watercolor painting
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