The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 196
e is thin and much scattered, as that of the birch, it isbetter to draw the tree in the first instance with its branches and twigscomplete, afterwards adding the leaves in their proper places. In Example 4,the light parts are relieved cool upon a warm ground, and in this andthe three preceding…
Landscape painting · Watercolor painting
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