The theory and practice of landscape painting in water-colours. Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts (1871)
Barnard, George, 1807-1890 · London : George Routledge & Sons · leaf 211
the last three would often appear of a dark gray wereit not for the contrast afforded by the surrounding foliage. The principalthing is to avoid blackness or too deep and decided a colour, such as pureVandyke brown, umber, &c. Vandyke brown and umber, however, mixedwith a little indigo or… … TREES. 171 blue, excellent for the cooler shadows. The same may be said of burntsienna; Indian yellow added gives the deep mossy green tint for branchesand stems in shadow. Almost all the grays used in the middle distance arealso employed, varied by light red, rose madder, purple madder, or…
Landscape painting · Watercolor painting
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